Every morning I walk my dogs around the neighborhood two-miles, more or less. Given the 1500 – mile challenge in “Rabbit-Proof Fence”, it would take me more than two years to traverse the same distance as the young trio of Aborigines escaping abduction by the privileged class in Australia. That time frame, of course, doesn’t include my desired stops for a latte or weekend getaway to a cozy bed & breakfast.

Based on actual events that occurred in the outback from the 1930’s to as recently as 1971, “Rabbit-Proof Fence” is a tale simply, but powerfully, told.

Molly, played by Evelyn Sampi, is the driving force in the young girls’ escape and subsequent trek. Trained by her elders to be an astute tracker in the wild, she uses her knowledge and instincts to outwit any number of government lawmen hell bent on returning the threesome to indentured servitude in the south.

Kenneth Branaugh is the only recognizable name this side of the Pacific. He plays the evil overseer of the institute who demands the pursuit and return of the girls.

In many ways the tone of the movie is understated, not unlike young Sampi’s performance. So much of the mood is set by the distant, distrusting look in her eyes ultimately replaced by determination.

Australian director Phillip Noyce has made a giant leap in his filmmaking career. Whether the leap is forward or backward depends on your definition of success. In “Fence” he allows the power of this true adventure to unfold naturally on screen without fancy editing or special effects. His resume includes major studio blockbusters including “Clear and Present Danger,” “Patriot Games,” and “The Saint.” Yet, this year, along with “Fence,” he directed Michael Caine in the soon to be released “The Quiet American” both movies with powerful story lines.

During the filming of “Rabbit-Proof Fence” newcomer Sampi ran away from the set, not once, but twice. She wouldn’t be the first star to want to head to the hills in the middle of production. But she needn’t have worried. Noyce kept the project on track.